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Ilya Repin Party oil painting


Party
Painting ID::  60504
Ilya Repin
Party
Party 1883

   
   
     

Ilya Repin Grand Duke Choosing His Bride oil painting


Grand Duke Choosing His Bride
Painting ID::  60505
Ilya Repin
Grand Duke Choosing His Bride
Grand Duke Choosing His Bride 1885

   
   
     

Ilya Repin Portrait of Leo Tolstoy oil painting


Portrait of Leo Tolstoy
Painting ID::  60506
Ilya Repin
Portrait of Leo Tolstoy
Portrait of Leo Tolstoy 1887

   
   
     

Ilya Repin St Nicholas of Myra in Lycia oil painting


St Nicholas of Myra in Lycia
Painting ID::  60507
Ilya Repin
St Nicholas of Myra in Lycia
St Nicholas of Myra in Lycia 1889

   
   
     

Ilya Repin Portrait of Mendeleev oil painting


Portrait of Mendeleev
Painting ID::  60508
Ilya Repin
Portrait of Mendeleev
Portrait of Mendeleev

   
   
     

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     Ilya Repin
     Ukrainian-born Russian Realist Painter, 1844-1930 was a leading Russian painter and sculptor of the Peredvizhniki artistic school. An important part of his work is dedicated to his native country, Ukraine. His realistic works often expressed great psychological depth and exposed the tensions within the existing social order. Beginning in the late 1920s, detailed works on him were published in the Soviet Union, where a Repin cult developed about a decade later, and where he was held up as a model "progressive" and "realist" to be imitated by "Socialist Realist" artists in the USSR. Repin was born in the town of Chuhuiv near Kharkiv in the heart of the historical region called Sloboda Ukraine. His parents were Russian military settlers. In 1866, after apprenticeship with a local icon painter named Bunakov and preliminary study of portrait painting, he went to Saint Petersburg and was shortly admitted to the Imperial Academy of Arts as a student. From 1873 to 1876 on the Academy's allowance, Repin sojourned in Italy and lived in Paris, where he was exposed to French Impressionist painting, which had a lasting effect upon his use of light and colour. Nevertheless, his style was to remain closer to that of the old European masters, especially Rembrandt, and he never became an impressionist himself.

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